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Ashmole Foxe is approached by the mayor of Norwich and the manager of one of its oldest theatres, both wanting him to investigate sudden, baffling deaths. Foxe loathes the theatre manager, so he’ll have nothing to do with his tale of ghostly apparitions and the murder of an alcoholic, has-been actor. Instead, he turns to the mayor’s request — to resolve the killing of a rich merchant. The trouble is Foxe can’t quite put the theatre mystery out of his mind.
Both cases contain inexplicable events. How did someone stab the merchant as he was hosting a grand masquerade ball surrounded by his guests — without anyone seeing what happened? What has an actress dead for twenty years to do with the murder of someone who shouldn’t even have been in the current cast?
Urged on by cryptic messages from a local Cunning Woman and supported by his extended household and the street-children of the city, Foxe is soon entangled in webs of secrecy and deceit going back into the past and outwards as far as London itself.
“Bad Blood Will Out” is Book 4 of the Ashmole Foxe mystery series. Like the rest, it’s set in the fascinating world of 1760s England. The story shows how betrayal, greed, ambition and grief lead to a toxic mix of thwarted passions, grim obsession and slow-burning hatred. Before the end, it’s going to bring Foxe face-to-face with the most callous, cold-hearted and remorseless killer he has ever known.
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This month’s posts
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- Background Research (3)
- C18th Norfolk (38)
- Commerce (14)
- Cookery & Housecare (14)
- Crime (21)
- Fashion (10)
- Georgian Society (66)
- Keeping the Peace (6)
- Leisure (9)
- Medicine & Science (18)
- Military (8)
- News (1)
- Norfolk Eccentrics (4)
- Politics (16)
- Secret Service (4)
- Textiles (1)
- Theatre (5)
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- Travel (10)
- Uncategorized (20)
- Writing (2)
Looking for something new to read?Mystery books for lovers of Agatha Christie, Dorothy L Sayers and similar traditional British whodunnits. Dr Adam Bascom and Mr Ashmole Foxe star in two series of traditional mysteries set in 18th-century Norfolk. You can see all the titles on Amazon.
Category Archives: Leisure
For many decades during the 17th and 18th centuries, young upper-class men (and some women) had undertaken a “Grand Tour” of Europe (principally Italy) to acquire ‘polish’ and gain first-hand experience of the glories of Rome as revealed in its … Continue reading
For the upper and middle classes, the Georgian period was one of intense social activity, both in the home and in public assemblies. Since dancing was an essential part of many gatherings, the ability to dance gracefully became an essential … Continue reading
The Georgian era was, in many senses, a public era, in which leisure activities amongst the wealthier segments of society were often social. One aspect of this was the growth of a mass of clubs and societies in towns and … Continue reading
Just as the operas of composers like Handel soon became an important part of London’s musical scene, similar music could be heard in Norwich, often performed by the same famous singers. Here you might hear many of the operatic arias … Continue reading
I wrote a short while ago about music-making in the Georgian home. Here’s a fascinating advertisement for the kind of music available for home music-making in 1783. Note the list of song types, in which “Songs on the Caprices of … Continue reading
During the eighteenth century, england was seen throughout europe as an unusually musical nation, one in which different kinds of music were enjoyed at every level of society. That was why, at one end of the scale, a major composer … Continue reading